A filmmaker who loves volcanoes is a fitting way to describe the German director Werner Herzog. Beyond the metaphorical implications, it is a literal definition, as seen in his documentary 'Into the Inferno' (2016). Herzog's latest book, 'The Future of Truth', published by Zigurate and translated by Mário Prado Coelho, explores his vision on the nature of truth, narrative, and our relationship with reality in the age of the internet. Drawing on his own filmography, including 'Fitzcarraldo' and 'Lo and Behold', Herzog reflects on how we are all narrators and how the power to shape a narrative often outweighs the underlying reality.